RHYTHM BLOG :: Video: The Basics + 2 over 3

The following video was added to a previous RHYTHM BLOG post…

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Giant Steps (with a twist) play-along

Sideways Tenor Clef

I won’t post the pdf for awhile so this can also be a challenge for some to figure out what’s going on rhythmically.

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UPDATE: Basic Polyrhythms/Rhythmic Ratios

The Basics: 2′s & 3′s

When approaching the subject of rhythm I am going to use two building blocks – a short sound and a long sound. Each sound is made of small beats called subdivisions which are of equal size. The short sound contains two subdivisions and the long sound contains three subdivisions. From here forward I’ll refer to these two sound groups as 2′s and 3′s.

2's and 3's

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LINK: Two Websites…

http://

So, I’ve been coming across a lot of great resources lately and at this moment they are way deeper then anything I have to share. I’ll hopefully be posting more etudes and sight-reading in the near future. Continue reading

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LINK: Sounds, Films, and Documents by Anthropologist & Ethnomusicologist Robert Garfias


Kayagum Sanjo played by Hwang Byong-gi - Korea 1966

Kayagum Sanjo played by Hwang Byong-gi - Korea 1966

First, Robert Garfias’ Wikipedia Biography:

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LINK: Thomas DeLio’s Analysis of Morton Feldman’s Last Pieces #3 for Piano


Thomas DeLio Analysis
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ETUDES: Trombone Etude with Ben Gerstein’s Comments and Performance

Sideways Tenor Clef

This is the first post for the newly added Etudes category. In this category, as in the others, I’ll be sharing bits of my learning process and learning materials for your consumption. I’ll be posting short etudes or excerpts and when possible comments made by musicians in regards and recordings of the presented material.

The tenor trombone will kick things off. As it happens, I’m lucky to know several outstanding trombonists. Continue reading

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RHYTHM BLOG: Triplet Quarter Notes In Odd Meter

Rhythm Blog

The goal here is to play quarter note triplets…

Triplet Quarter Notes

Triplet Quarter Notes

…over this odd meter ostinado in 7/8 + 4/4 which I originally played on bass drum.

Ostinado in 7/8 + 4/4

Ositinado

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RHYTHM BLOG: Constant Quarter

Rhythm Blog

Something I’ve been doing to work on my time and odd meter stuff in general is an activity I’ve coined Constant Quarter. I first thought of this a year or two ago while shedding a difficult composition by pianist/composer Matt Mitchell which contained a section in 13/16 and again recently rehearsing a tune by guitarist/composer Nick Demopoulos that has a 4/4 + 7/16 groove.

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RHYTHM BLOG: Odd Meter Reading Practice (Play-Along mp3′s and Charts)

Rhythm Blog

Here are sequenced mp3′s and charts for a short piece I wrote for Bb trumpet, trombone, electric bass, and drums called September Counterpoint (2010). There are frequent meter changes and two tempo changes. It’s a simple twelve-tone piece that was recorded on Monthly Meeting September 2010. Enjoy reading and playing along. Continue reading

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